Showing posts with label writing about war. Show all posts
Showing posts with label writing about war. Show all posts

Wednesday, June 29, 2011

Any Resemblance Is Completely Coincidental (MORE serious [S-word])

This is a piece of short fiction that I wrote for my final project in Writing About War.

*clears throat*
This is a piece of fiction. Any resemblance to events or to persons living or dead is completely coincidental.

(I just realized that with the amount of "draw from what you know" that I do, I really need to start putting that at the beginning of my stories and movies...)




~Like A Snowflake~
(short story)

I stare at the locker in disbelief. In the back of my mind I know that I shouldn’t feel shock, I should have known this was coming. After all, they’ve said these very words aloud to me at least a few times a week all year—why wouldn’t they just give up and put it on my locker for the world to see?

Die, fag.

The square of white notebook paper is as light and innocuous as a snowflake against the dark-blue metal of my newly-scratched locker. I’ve seen the skull and crossbones a thousand times, from the time I was in kindergarten playing pirates with my friends—come to think of it, that was probably the last time I had friends, back in kindergarten—and now here it is, an actual threat. Who would ever have guessed that I’d see it in this context?

Slowly I reach out and rip the note from my locker. I want to burn it, but I don’t have the means to do so right now, and I need to get rid of this before anyone sees. Besides, I see the writer of the note—and he’ll pretend he didn’t write it later, but I know he wrote it—peeking from around the corner. He wants to see what I’ll do. Fine, let him watch me; I’ll give him something to watch…

Very deliberately, I roll the note into a ball and drop the ball onto the carpeted floor. While Scott is watching, I crush the note beneath my heel. Let him see my tiny display of defiance. It’s the only method of fighting back that I have. The administration has proven multiple times that they don’t care, so I have no help there, and my only friend is a skinny sophomore girl who’s about as much good in a fight as a Care Bear. I’m virtually alone; I have no way to fight against Scott, except to do this. He and I both know it’s meaningless, we both know he still has power over me, but for a moment I enjoy pretending that I can actually fight back.

I wince when I hear the voice ring through the halls—“You’ll regret that, faggot!”—but I pretend not to hear. Instead, I open my locker and fish out my binder, and then hurry back to class, having finally achieved my mission and obtained my homework.

And for the time being I forget about Scott, and that is where I make my critical mistake.



At ten-thirty the bell rings and I go to my third-period lunch. I hate this, I really do, it’s too early to eat, but if I don’t I’ll regret it for the rest of the day. I spot Katy at the edge of the cafeteria and wave to her, before heading off to get my food. I never bring lunch from home. Believe it or not, the food here is actually better than what I eat at home, causing me to wonder exactly why the kids all complain about what we’re fed at school.

I get my lunch and begin looking for a place to sit. This is when I notice Scott glowering at me from a corner of the cafeteria that I always avoid. Surrounded by his hulking, chain-adorned friends, he cuts an imposing figure, and I involuntarily shiver as I start to cross back to where Katy and a few of her friends are sitting.

And that is when I realize that the cafeteria is so tense that it’s actually scary. The level of noise is about ten percent of what it normally is. Moreover, half of the students located here are staring at me. I have no idea why, and honestly, I’m not sure I want to know. Probably has something to do with what Scott and his gang did this morning. It’s probably been blown way out of proportion, too. By this time, they probably think my locker was wired with explosives or they put a live snake in it or something. And of course I deserved what I got, for the heinous crime of not wanting to date girls.

I look down at my tray as I edge through the cafeteria. I don’t want to be stared at. I just want to eat my freaking lunch. But, since this is the worst public high school in the history of public high schools, that’s just not going to happen. The last time everyone in the cafeteria stared at me, I got attacked with a Jell-O catapult, courtesy of Scott and his right-hand goon, Justin.

A pair of black combat boots plants themselves in my path. I swallow hard and look up. Scott, of course. Well who else would it be, the tooth fairy? What did you expect, that he’d leave you alone? I ask myself sarcastically. Scott leers at me, and my stomach twists. I just wish he’d insult me or pour milk on me or whatever he’s going to do, and have done with it.

A circle of students, some of them his friends, some of them bystanders, has formed around us. The seconds slides by. Scott continues to sneer at me, and I protectively clutch my lunch tray against me, preparing to get food thrown at me or hear the now-familiar curse words. Come on, Scott…just get it over with.

The fist seems to come out of nowhere, hitting the side of my cheek with stunning force, causing me to drop my lunch tray in shock. For a split second it feels like I’m staring into a strobe light as the fluorescent lighting blackens in my eyes and then hits me full-force, and it’s only through sheer force of will that I manage to stay conscious. All the while, the only coherent thought going through my mind is, What the hell just happened?

I hear Scott laughing triumphantly, and I freeze in place—I’m not letting him do this, I am not letting him humiliate me like this, I know I haven’t got a prayer, but I don’t care anymore, I have to push back.

With a strangled-sounding war cry, I launch myself at him. Innocent of any knowledge of how to fight, the best I can do is sort of body-check him, but it’s enough to throw him off-balance. He stares at me in total shock for a three-count, and then he hurls himself right back at me, knocking me to the ground and causing me to hit my head—hard—against the tiled floor.

What follows is five minutes of sheer hell on earth. I don’t even know how it happens. All I know is that one minute, I’m trying to make sense of the dull, throbbing pain at the back of my head, and the next I’m spitting out a mouthful of my own blood. While Scott pins me to the floor and proceeds to beat the living crap out of me, chaos reigns around us. I hear screams and punches and curses, and I have to briefly wonder why they’re fighting. This is between me and Scott, not them, which is why it never occurs to me to wonder why they don’t help me. After all, they’ve never done that before; why start now?

It doesn’t take long—two or three punches, maybe, if that—before I give up trying to fight back and simply try to defend myself as best as I can from the blows. But it seems like forever before Mr. Wendell, the student dean, pulls Scott off of me, by which time I’m so badly injured that I couldn’t even tell you what’s hurting. My entire body feels as if I’ve just climbed out of a food processor set on “pulse.” Speaking of pulses, I’m amazed that I even still have one. I’m surprised Scott hasn’t killed me by now—God knows he’d be proud of himself if he did.

“Can you sit up for me?” Mr. Wendell asks, not ungently, as one of the security officers deals with Scott. Just seeing this makes me feel slightly better. I don’t have a hope of getting rid of him; the worst he’ll get is maybe a suspension, but at least he’s not getting off completely free. I let the dean peel me off the floor, spitting out another mouthful of my own blood as I slowly pull into an upright position.

“What happened?” the dean asks me.

Oh, now there’s a fine question to ask the one lying on the ground covered in bruises and blood and God knows what else. All I want is for an ambulance to come and knock me out with pain meds, is that really too much to ask? But I force out an answer anyway, and tell Mr. Wendell, through gasps of pain, that Scott punched me unprovoked in the middle of the cafeteria.

Mr. Wendell sympathetically pats my shoulder and tells me that he’s going to take me to the nurse’s office to “get cleaned up,” and then, and I quote, I should “Go back to class and let us take care of this.” Who, I wonder, is “us?” Is this the same “us” that has repeatedly ignored my reports of being cursed, insulted, spat on, and assaulted with food and spitballs and paper missiles in the hallways? Is this the same “us” that let Scott tape a death threat to my locker? Is this the same “us” that took forever to intervene when he started beating the hell out of me? Oh yes, I have a lot of faith in this unnamed “us.”

I should be in the hospital. Instead, I’m taken to the school nurse, where my many wounds are cleaned with disinfectant and I’m given a Tylenol before being sent to Principal Deven’s office to be interrogated. I tell him the truth: Scott taped a threatening note to my locker and then attacked me in the middle of the cafeteria. I know that it won’t be enough to get the asshole expelled, but I know I have to at least try.

Principal Deven listens to my story and then tells me what Scott told him, and it’s enough to make me want to quit life: The reason that I was attacked today, according to Scott, is because I made unwanted advances.

Dear God, if You exist, I silently pray as Principal Deven explains that under the circumstances, others have to be questioned before a decision can be made, is it too much to ask that for once, just for once, they’ll believe me?

I already know the answer.



“It’s unbelievable, that’s what it is,” Katy says later that afternoon, as she bandages one of the multiple open wounds that the school nurse neglected to cover with a band-aid. “I just can’t believe it…so they actually said they have to investigate it? They didn’t believe you right away?”

I snort and shake my head. “Come on, Katy. Since when do they ever believe me right away?”

“Well, seeing as you’re the one who’s so scarred up that Freddy Krueger would be afraid of you, and Scott didn’t get so much as a scratch, I thought for once they might actually see that you’re telling the truth.” Katy tapes the gauze shut and squeezes my hand. “There, is that any better?”

Of course it isn’t; when your arm is grabbed and slammed off a tiled floor by a kid wearing fake brass knuckles, it’s not going to be made better by gauze and Bactine. But she means well, better than any of the idiots running our school, so I say, “Yeah, it’s a bit better.”

“Good.” Katy continues to hold my hand, even after she’s done playing doctor, and I’m grateful for that—it’s not actual medicine, but I actually feel better just knowing that she gives a damn about me, enough to want to comfort me, to protect me. And I know she was the one who ran to get the authorities. I know that out of the five hundred-plus spectators in the cafeteria today, she was the only one who actually went for help.

“So what exactly happened?” I ask her. “I mean, all I know is that Scott kicked my ass and there was some kind of riot…what actually happened? Did you see?”

“Well…” She sighs. “So after you started to fight back, basically everything just went to hell in a handbasket. Someone tried to break up the fight, I don’t know who, and one of Scott’s drones jumped him. Then everyone just lost it and started pounding on each other.”

Translation: Someone was worried about getting in trouble and tried to calm things down, only to get mixed up in the chaos. Nobody except Katy would care that I was getting beat up, only that they might be guilty by association. “Then what?”

“Well, I went for help, and when I got back everyone was still fighting. Mr. Wendell called for security, and the security people got the fighters to calm down pretty damn fast. But you know Scott, he just wouldn’t quit until someone actually pulled him off you…I mean, if anything, he just got worse.”

Of course. If you sense an end coming, try to get as many punches in as you can before someone stops you. “I hate life right now,” I announce, and Katy sympathetically pats my hand.

“Just tell them the truth if they call you into the office again.” She pauses, and then adds, “They questioned me too, by the way. Principal Deven and Mr. Wendell, I mean. They called me into the office not long after the fight ended and asked me a bunch of stuff about you, and about the fight, and whether or not I knew how it got started.”

“What did you tell them?” I ask.

“What do you think? I told them that Scott is an arrogant bastard of a bully who’s been tormenting you for months, and he started this whole thing by sucker-punching you in front of half the damn school.”

I smile. This time it’s the truth, but I know full well that Katy would tell them a pack of complete lies if it would protect me. “So what did they say? Anything?”

She shakes her head. “No…but I think they’ll have to do something this time. I’m praying for expulsion, but you know how they are, they don’t want to do anything that might get them in trouble with the board of education or with the parents.”

Story of my life. “They can’t do anything because…” It’s always about protecting themselves. Can’t defend me because Scott’s cronies might beat them up. Can’t tell on Scott because he’ll target them next. Can’t expel Scott because his parents will freak out. Can’t do this, can’t do that. Protect yourself, and if one lonely gay kid gets punched to death in the process, well, that’s just one way of solving the problem.

Katy sees the look on my face and knows what it means. “They’ll do something this time,” she says softly. “They have to. I mean…look at you, and then look at Scott. Anyone with half a brain could see—”

“There’s your problem, right there,” I cut her off. “They don’t have half a brain among the whole group of them. They all think in terms of fight-or-flight.”

Katy doesn’t say anything else, but she squeezes my hand again and I know she knows I’m right.



The next day, the entire school is called to an assembly in the auditorium at the beginning of the day. Hope rises in me once again. For a few brief moments I let myself fantasize about Principal Deven outlining a new policy against bullying, telling us that Scott has been expelled and sent to juvie, commending me for bravely putting up with his bullshit for so long.

But those fantasies are crushed the minute Mr. Wendell gets up to the podium and opens his mouth. He talks about the fight, and how it “reflects badly on our school,” and how we should all be ashamed of ourselves for behaving like this. I should want to kill him right now, but I can’t muster up the energy to be decently mad. Mostly, I’m just in shock. Katy doesn’t say anything the entire time, just stares ahead like me, her hand slowly tightening around mine as the assembly goes on.

Finally comes the icing on the cake: Mr. Wendell looks at us all gravely and says, “There’s no need to tell your parents what happened yesterday, so if you haven’t told them, don’t. Most of them have been e-mailed about the situation, it has been well-explained as an issue that the school is working to resolve. If anyone from the press asks to speak with you concerning this fight, please decline. There is no reason why what happened yesterday should bring down our school’s morale or image. We can remain unified, as we have always been.”

He goes on and on about how our school spirit shouldn’t be diminished, how we can still finish out the year and be proud of ourselves. I don’t care. I just stare straight ahead, wondering how in the hell I managed to get into this place, and how in the hell I’m going to escape when no one except Katy even knows I exist.

One sentence of Mr. Wendell’s sticks out in my brain. It’s the only time he gives us the truth in the entire assembly, actually—it’s the final statistics of yesterday’s fight: Eighteen bloody noses, four broken bones, thirty miscellaneous injuries, seven expelled—Scott not among them—nineteen suspended, eleven hospitalized, five withdrawn from school.

And all I can think is, Last week, when Marilyn Evans cheated at the Quiz Bowl, it made the papers. And this won’t.

Thursday, March 17, 2011

The War at Home...or Interlochen (WARNING: This is serious [s-word]!)

So these are a few pieces I wrote in Writing About War...they're dramatic, they're dark, they're creepy...and some of them require a bit of explanation. All of these will probably be in my class portfolio by the end of the year, so if anyone wants to tell me what they think I'd love some feedback.

SEVERANCE PIECE

(Prompt: There is a theory that after a person is decapitated, they are not only still capable of thought and feeling, but they can think up to 160 words a minute. They can do this for about one and a half minutes after their decapitation. Write what you think you would be thinking/feeling just after your decapitation.)

He takes my hand, the man with black hair and wild eyes and he pulls me up and I leave myself behind and we’re alone, and no one can hurt me now so I feel nothing but joy and in this black castle, with shimmering ice for windows we look at what we’ve created and I laugh, this is all I wanted, pure beauty, a world of art and creation, with my angel by my side
But when I look down I see a boy with hazel eyes, and a girl with a pocketwatch around her neck
And the boy looks up to me and suddenly I want to be in his arms, because I never felt him hold me
And I have magic now, but all the magic in the world and I still can’t take him back
He never held me, I’ll never touch him again
The girl, I’ll never tell her again that I admire her, that I wanted to be just like her
And they are looking for me but they will never find me, I’ll never come home to them again, I’ll never feel him hold me and I’ll never see if she becomes a famous poet
And I realize the only angels I ever needed, I left behind
I just wish I could tell them I love them, tell them
Stay strong, stay strong, stay strong…


INVASION PIECE

(Prompt: Write about an invasion of any kind of fantasy creature, about wishing to become a fantasy creature such as a werewolf, the creation of a real-life zombie by a witch doctor, or a diary-style invasion of fantasy creatures like one read in class.)

“Gotta love the local news: The one time their sky-is-falling, apocalypse-evident alarmist report would be right, they’re too busy being turned into cotton candy to go on air.”
After three days of hiding in an edit suite, living on decades-old candy that has probably been in my backpack since summer camp, trying for the life of me to protect my best friend, this is all that I can say. Well, actually, I can say quite a bit more than that, but I don’t want to because I know I’ll scare him, and trust me, neither one of us needs to be scared right now…well, not more than we already are, anyway.
Three days ago, aliens landed on our campus. DON’T LAUGH, I swear to God it’s true. They landed in a spaceship shaped like a circus tent, armed with guns that shot popcorn-like bullets and rays that turned people into cotton candy. Following them were little green guys with huge brains, and ray guns that could incinerate us. And the weirdest thing—they’re only attacking Interlochen. I’ve been looking online for days now—when I’m not hiding under the desk from huge, creepy clown aliens—and no one else has been hit. I don’t know why. All I know is, I’m scared.
When I whisper to my best friend about the reporters being turned into cotton candy he laughs shakily. I smile and reach over to squeeze his hand. “It’s going to be okay,” I assure him.
Yesterday, just before my phone battery died, I called 9-1-1. I doubt they believed me—but maybe after enough of those calls come in from Interlochen students, just before they are incinerated or turned to cotton candy, the operators will believe someone, and come to the rescue.
I’m keeping my fingers crossed. For him, at least. Honestly, I don’t have much to lose, here; after a few more weeks I’d probably have been expelled anyway. But if he gets killed—if he’s turned into pink fluff or shot with popcorn bullets or incinerated, and no one ever finds out what happened to him—if those stupid aliens drag him back to their ship to experiment on him—and if I’m saved, and he’s not—it’ll be my fault. My fault, because I couldn’t protect him. Because I made him laugh at the wrong moment, when aliens were outside our door. Because we didn’t hide in time. Because 9-1-1 didn’t believe me.
“It’s going to be okay,” I tell him again, and then we hear footsteps outside the door and we pull ourselves under the desk as quickly as we can. I hold my breath. The door opens…
“Is anyone in here?” a male voice calls, and I nearly cry in relief. It’s a policeman, a state trooper, someone who can save us.
“We’re here,” I say, pushing myself out from under the desk—
—just in time to see the man hit with a ray that melts him into a sticky, fluffy ball of cotton candy.
We’re screwed.


VIOLENCE PIECE

(Prompt: Write a scene in which violence is implied, but not explicitly stated.)

After the seventh time he comes to school looking like a train hit him, it’s abundantly clear that the injuries are not occurring at soccer practice. Hell, I don’t even think he plays soccer.
The first time he told me he fell down the stairs, the second time, he told me he had a rollerblading accident. The third time he tried to distract me by joking—told me that aliens had kidnapped him and used him for experiments. I let it go then, but now I know better.
On Thursday he edges into school with a black eye, limping on an ankle that is visibly swollen (those high-top Converse don’t fool anyone; I don’t know who he thinks he’s kidding), and I don’t have to look to know that he’s been hit with a belt or burned with a cigarette or something so horribly cliché it would be laughable if it were a Lifetime movie. Unfortunately, this is not a lifetime movie; it’s just plain lifetime.
We settle into our routine. The lunch bell rings and we meet in the student commons. I steal a paper towel from the bathroom and a handful of ice from the lunchroom, and we go into the courtyard. We sit down on one of the stone benches and brace ourselves—he braces himself for the pain; I brace myself for the sight of my best friend covered in burns, bruises or whatever—and I lift his t-shirt.
Today it’s burns, and I cringe at the thought of what caused those burns. Not a cigarette, that’s for sure. An iron, perhaps? No, they’re the wrong shape. Burned wood? No…that can’t be it. I don’t want to think about it, but I keep guessing. What was the instrument of torture, and what did he do that allegedly earned him these burns?
Finally, when I can stand it no longer, I ask him: “What happened?”
He doesn’t look at me. I continue applying the ice and wait for him to answer. Finally he inhales sharply and tells me, voice flat and emotionless, “I failed the history test on Monday…the one we got the grades for yesterday.”


BAD WAR WRITING

(Prompt: List the challenges of writing about war, and then write a "bad" war story based on those challenges.)

Challenges of writing war stories:
lack of realism
inexperience
offensiveness
inconsistency
too subtle or not subtle enough
cliché
too vague
too explicit

Example of a "bad" war story:

During the harsh battles of World War II, many young men were killed. One young man, Jim, left behind his sweetheart Amy to fight for his country. When he went into battle, he always carried her picture with him for strength. Meanwhile, she waited for him on the home front, growing her Victory Garden and hosting scrap drives, praying every day that he would come back for her.
The war was half-over when Amy met a man named Ted and began to fall in love with him. On the other side of the world, Jim struggled through battles with her picture in his pocket, believing that she would never abandon him. But the trials of war were starting to catch up to him, and he was caught off-guard one day and thrown into a prison camp.
Prison camps were terrible, but in different ways than people can possibly imagine. Men died of starvation because prisoners were either ignored or tortured. Jim was one of the men beaten for information, which he refused to give. When they beat him he thought of Amy, and of her beautiful eyes, and how gentle and how sweet she was, and how he was suffering for her, to protect the country that she lived in.
Meanwhile, back in America, Amy was engaged to marry Ted after six months of secretly seeing him. She wrote Jim a classic “Dear John” letter, telling him that she had found someone else. In prison camp, life was terrible enough—but when a man got a letter saying, “Sorry, darling, but I don’t love you anymore,” it was downright unlivable.
The camp was invaded by Americans and liberated less than a month after Jim received that letter. But those twenty-five days were the worst of his life. When the jailers beat him he had nothing to think about, no woman to live for. He screamed when the men beat him, rather than stay silent and strong. He never betrayed information about the American army, but he had no reason to maintain the cold dignity that behooved a soldier.
When the prisoners were freed most of them went home to their sweethearts or wives. Jim had nowhere to go, and so he threw himself back into army life. The war was nearly over when he was killed in battle. Amy heard of this and felt a deep sense of regret—how could she have done this to him? How could she have kissed him off like that? Now she realized she had never loved Ted, now her husband, and she would never see the man she loved again, even if he had been alive he would never have wanted her after the way she treated him.
Jim’s family and friends were devastated, but none more so than Amy. Every day she wondered, What if I had waited? and was forced to live without her question ever getting answered.


PAIN PIECE

(Prompt: Write about pain without using cliché language or hackneyed metaphors.)

Walk to school. Limp. Ignore the throb in your ankle; it’s not that bad, you’ve had worse. Ignore. Walk. Ignore. Already lies are forming in your head: I fell down the stairs. I slipped on a wet floor. I walked into a door. I crashed my bike into a tree.
Limp to your classroom and carefully ease yourself into the seat. Your teacher is clueless. You start to lean back in the seat but when your back touches the chair, heat sears across your skin. Quickly you sit up straight, your sore muscles protesting.
Come on now, get it together, you sternly order your body, we can get through this, we do every day.
You press it out of your mind and force yourself to concentrate on the teacher. Block out the memory of the curling iron burning through your t-shirt, your skin blistering, the smell of smoking clothing, the sound of your step-mother telling you that you will go to hell. You can’t block out the pain, but you can block out the memory.
Your ankle is swelling inside your shoe. It feels like someone is slowly blowing up a balloon that will never pop, it’ll just keep getting bigger until it overwhelms everything around it. You wish you’d worn low-tops today. Between classes you go into the bathroom and take off your sneaker. Your ankle looks like the work of a tortured artist—red, purple, black, gray—swollen, pulsing. The pain shifts, from a dull, almost numb ache to a stabbing throb. When you lift your foot to the toilet seat for a better look, the pain turns to a warning, a notice that the balloon will pop if you’re not careful. You fold the sneaker top over and retie your laces. Thank God your pants cover the bruising.
Someone sees you limping, sees the scratches on your face. Hey, man, what happened?
I crashed my bike yesterday. You wait. Will he catch the lie?
Oh, that sucks. He doesn’t, and you move on.
At lunchtime you escape outside. Technically you are not allowed outside the lunchroom, but no one will look for you in the courtyard. Your best friend follows you, paper towels and ice stolen from the lunchroom in hand. “Let’s see it,” she sighs. You sit very still, bracing for impact.
When she slides your shirt up it doesn’t hurt, but when she touches the ice-filled towel to the burn—that hurts. You know you should feel relief from the ice but all you feel is pain, you feel the burn of the curling iron, yesterday, and now you feel the sting of the ice, and now you can’t hold on any longer.
You forget who you are, and where you are, and the identity of the girl trying to help you. You forget how you got burned, how you tripped when you were trying to escape. All you can think about is the pain, and the sensation that your skin is about to peel off and the balloon—the swollen, twisted ankle—is about to burst.
The ice doesn’t help. It makes it worse. Your lower back, your side, it’s going to peel away and you’ll bleed to death, it’s going to all come apart, you can’t stand it. The balloon is getting bigger and bigger and it’ll explode, you want it to explode, you want it to end. You will do anything, you will sell your soul—what’s left of it, anyway—if it will just make the pain go away.
You squeeze your eyes shut and, for the first time today, let out a tiny whimper, an almost inaudible noise of defeat. A hand curls around yours, trying to reassure you, trying to help you find your way back, but you can’t, you’ve gotten lost, and all you can do is tell yourself it’ll go away, it’ll stop, it’s not the worst thing to ever happen anyway.


POETIC WRITING EXERCISE

(Prompt: Think of something ordinarily seen as ugly or frightening, and write about it in a way that makes it seem beautiful.)

The sky is green, a strange, bronzy green, the color of dirty stained glass. Clouds the color of lima beans make a spiral over the dancing trees. The wind makes water leap out of our pool, but we can't see where the waves hit the already-soaked concrete. Sheets of rain seem to come from nowhere; it seems impossible that something so heavy and destructive can come from something as delicate and pretty as those pale-green clouds. And when the wind cuts through the sheets of rain it creates patterns, like a spiral galaxy, but instead of stars the glittering raindrops make the shape of a little girl's ringlets. And when the green clouds give in to the desperate wind they make a spiral too, and the rain joins the vortex and creates a symphony of violent weather.


TRENCH EXERCISE (In-class)

(Prompt: Write the thoughts of a soldier as he lies in a trench that is currently under attack. Mine was written from the point of view of a 17-year-old American soldier in World War II.)

Lying in the trench and hearing the sounds of the bombs making the world explode around me, I can only think of one regret: Enlisting in this damned army. I had another year before I could be drafted; I could be home with my family right now, I could be with my girlfriend or my friends from school, but instead I am here, lying in this trench, about to die.
Right now I could be at the movies with my girlfriend, or playing baseball with my friends, or helping my little sister with her homework, or listening to the radio with my parents. Back home it's dinnertime, and my mother is making spaghetti and my father is just getting home from work.
I can almost smell the tomato sauce, and hear the sound of my sister's footsteps on the stairs as she runs to greet my father. If I close my eyes and concentrate hard, I can feel the summer breeze as the door opens, I can hear my father's voice and feel him ruffling my hair, instead of hearing the bombs and feeling the ground shaking as the world seems to end.


And of course, we're going to follow all this serious business with some...

STOLEN DIALOGUE

"That's just taking a detour into What-the-F**k Land."

"Oprah Winfrey is the Justin Bieber of the grown-up world."

"I'm gonna get kicked really hard in the shins very soon."

"Target gives me a consumer boner."

Person one: If I knew you better, I'd poke you.
Person two: Poke me...where?
Person three: With what?

Person one: As a health nut, I really want to eat the placenta of a healthy person's baby someday.
Person two: As someone within earshot...what?

"As a non-theorist cow, I feel obligated to say...moo."